Showing posts with label French New Wave. Show all posts
Showing posts with label French New Wave. Show all posts

Bob Le Flambeur - Bob The High Roller

"Possibly, I will sue the police for damages." Bob

"Possibly, I will sue the police for damages." Bob


☆☆☆☆☆ Masterpiece

Bob Le Flambeur (1956) is a deceptively simple crime drama that revolutionized film making.

Directed by Jean-Pierre Melville.

Starring Roger Duchesne, Isabelle Corey, Daniel Cauchy among many others.

Melville's Bob Le Flambeur inspired and started the entire French New Wave of film makers. Study this film and you will see all the film elements that are now standard in modern films.

When I first viewed Bob, I was not all that impressed with Bob to be honest. It was just so simple and straight forward to my modern eyes. That is until I looked at the date it was made (1955). When watching a film you have to pay attention to when it was made, so you can compare it to other films made during that era and afterwards. When I'm watching an older film like Bob, I'm looking at it with a set of unspoken guidelines that modern films of my era have instilled in me. Thus, when I see a picture like Bob which was made before I was born, I see the beginning of the unspoken guidelines that modern film makers have instilled in me as audience member. Some of Bob's landmark film making techniques used today are: Bob was filmed using a hand held camera (Steven Soderbergh), uses gritty out door scenes(Martin Scorsese), violence away from camera(Alfred Hitchcock), existential ending (Paul Thomas Anderson), etc... With Melville's, Bob, you see all of these modern guidelines that film makers now use on their audiences.

The whole point of Bob is that a man (a criminal in this case) has to have a set of values, morals and ethics that he has to follow zealously to be respected by all men and women. It is such a simple character trait, but it makes Bob into a hero instead of the petty criminal. Bob's criminal and gambling traits drive and motivate every minute of his existence. The slot machine in his closet is played by him even after a losing night of gambling.

In the scene below, Bob played to perfection by Roger Duchesne and the sexy, seductive flower girl is Isabelle Corey. Isabelle steals almost every scene she is in throughout the film with her sensuality. Look at how she gazes at Roger. Corey layers an unfulfilled longing  into a simple nude scene in bed. Considering how strict the film codes were at that time I was surprised that these provocative and suggestive nudes scenes were kept in the original cut of the movie.

Anyways, I'm trying to understand why a flower scene occurs twice in this film. Bunuel gave this type of director hint to his audience in Belle De Jour - Beauty Of The Day (1967). Melville is saying something secretly to his audience. I will need to watch several more of Melville's films to see if he uses flowers again. A great movie to watch with an ending that is really amazing which ensures it will play on forever.




Trivia - Melville auditioned and rejected Alain Delon for Paolo, fearing he would steal the film.




Le Samourai

"There is no greater solitude than that of the Samourai's, unless it is that of the tiger in the jungle." The Bushido

"There is no greater solitude than that of the Samouri's, unless it is that of the tiger in the jungle " The Bushido


☆☆☆☆☆ Masterpiece

Le Samourai (1967) is a master filmmakers crowning jewel.

Directed by Jean-Pierre Melville.

Starring Alain Delon, Francois Perie and Nathalie Delon.

Le Samourai can best be described as a minimalists study of a solitary assassin's isolated life. I've attached the opening scene below to illustrate and illuminate the minimalists visual style. Look at the greys and blues in the scene below, it sets the tone and mood of the film. The cigarette smoke that lingers in the air over Alain Delon, who we suddendly realize is lying in bed, fully dressed. Delon is like a tiger in the jungle; silent, isolated and solitary, waiting for his prey.

Melville's quote in the opening credits from The Bushido does not exist, Jean-Pierre made that quote up himself. Melville intrigued me so, I read up on him. Melville was in the French army when Germany invaded France in WWII. So, when France put down its arms peacefully, Melville, went to Britain to fight against Hilter. Melville, became a hero for The French Underground who were fighting the Germans occupying France.

After the war when the French film unions would not let him join, he began his own film production company. Melville started making films without permission from writers he had taken material from and filmed on location (a rarity in France at the time) without French Film Permits. Melville went on to inspire The French New Wave filmmakers.  Melville, goes on to play the writer in Jean-Luc Godard's French New Wave masterpiece, A Bout De Souffle - Breathless (1960). Later, Melville would renounced the very French New Wave movement he had inspired.

Alain, could be considered Melville's film alter ego, like Alfred Hitchcock's film alter ego was Cary Grant. Alain like Melville was a military man and not one to follow rules. Alain fought in Indochina as a French Marine. He was discharged from the Military after many fist fights with superiors. Alain, is oh so subtle in this film. This guy never took acting classes, but he was a born Method Actor. I love watching his thoughts run across his face as he carefully listens to his scene partners.

The producers of the James Bond films should have hired Alain to replace Sean Connery when Sean retired from the franchise. Ian Fleming wrote that James Bond's mother (Monique Delacroix Bond) was French. A French/Scottish lad working for Her Majesties Secret Service. The irony and background story would have been priceless. At only 5'10" he would have been on the short side, but Alain would be the same height as Daniel Craig, who is very much in the vain of Sean Connery, albeit with blond locks.





Trivia - The opening quote from The Bushido Book does not exist, Melville made it all up.