Showing posts with label 1960. Show all posts
Showing posts with label 1960. Show all posts

La Dolce Vita - The Sweet Life

"You are the first woman on the first day of creation." Marcello Rubini

"You are the first woman on the first day of creation." Marcello Rubini

☆☆☆☆☆ Iconic 


La Dolce Vita (1960) is an intoxicating tale of life in the fast lane.

Directed and written by Federico Fellini.

Starring Marcello Mastroianni, Anita Ekberg and Anouk Aimée.

From the moment I saw the opening helicopter shot of La Dolce vita I was in love with the dark humor of Fellini's mad genius. Federico's directing and story telling style reminds me most of Luis Buñuel's brilliant satirical social commentary on mans most noble and selfish acts.  Luis' Viridiana (1961) shares Fellini's love of pointing out man's doomed compulsive desires. These two film makers were in hot water throughout their careers with film censors, Catholic church, politicians and the moral police.

Anita is mesmerizing, portraying and making fun of herself in an Iconic, memorably reckless performance. Marcello subtly captures the cool, lonely, bored playboy who participates in the debauchery and decadence he is documenting for his publishers. The real star of the film is Fellini's directing. Federico manages to visually capture the hopeless search man has for meaning in life while desperately trying to fulfill his never ending materialistic desires.

The scene below is my favorite. It brilliantly captures and satirizes mans duality of good and evil. The helicopter pilot and the paparazzi accompanying him are trying to pickup girls sunbathing on a rooftop. It isn't until the end of the scene that Fellini reveals they are transporting a large statute of Christ with his arms wide open to the Vatican. Christ is eternally forgiving and accepting man's flawed nature.




Trivia - Federico Fellini conceived the idea for the film when one year he saw how the fashions made the women in Rome look like big flowers.







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Plein Soleil - Purple Noon

"Yes I could. I have your typewriter." Tom

"Yes I could. I have your typewriter." Tom

☆☆☆☆☆ Masterpiece 


Plein Soleil - Purple Noon (1960) is a disturbing, engrossing and enjoyable portrait of a sociopath's nepotism and fantasies.


Directed by René Clément from a Patricia Highsmith novel called The Talented Mr. Ripley.


Starring Alain Delon, Marie Laforêt and Maurice Ronet among many others.

If you are a fan of Patricia Highsmith's novel, The Talented Mr. Ripley and haven't seen René Clément's original version order it immediately. The ending strays from Highsmith's powerful ending, but stays close enough to keep it mesmerizing from beginning to end. René creates a taunt thriller with his beautiful camera work that is surpassed by strong performances from his entire cast.

Alain runs away with the film with his subtle, psychotic, seductive and disturbing performance. Delon as an actor is in a class by himself. Alain's performance reminds me of Peter O'Toole in Sir David Lean's, Lawrence of Arabia (1962). Both Delon and O'Toole have not only magnetic personalities and looks that camera loves, but they can bring out the hidden subtext in their characters unspoken dialogue. Delon is like Meryl Streep in that they not only intuitively bring out the hidden desires of their characters, but more importantly they never judge their characters actions or desires. The characters desires are a part of him and he relishes them as much as his character does. The scene below is hypnotic in that Alain is completely dissolved into his characters nepotism and fantasies. Delon manages to have his character create a human being for others that he thinks they will admire, ogle and desire as much as he does.




Trivia - Author Patricia Highsmith, said of the ending; "A terrible concession to the so-called public morality." She was very pleased with Alain Delon performance and the overall look of the film.









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