Showing posts with label Luis Buñuel. Show all posts
Showing posts with label Luis Buñuel. Show all posts

فيلم الزمن الباقي كامل - The Time That Remains



"Three calling One, do you hear?" Menashe


☆ Masterpiece



فيلم الزمن الباقي كامل  - The Time That Remains (2009) is a beautiful comedy with strong social and political commentary.



Directed by Elia Suleiman.


Starring Elia Suleiman, Saleh Bakri and Ali Suliman among many others.


The beauty of The Time that Remains is in the absurd comedy that Elia infused within the drama. Suleiman's crafts a poignant, simple, lyrical, absurd comedy to tell the story of the six decade struggle between Israelis and Arabs in Palestine and Israel.  There is so much irony and wit within each scene that I found myself laughing while being sad. In one scene a group of combatants drop their weapons and remove their uniforms and quit the battle that they have just lost. In another scene a Palestinian woman is cheering soldiers as they march by her, suddenly one of the marching soldiers pulls out a gun and shoots her dead as they march past her. Then there is the beautiful scene where Elia's mother sits alone in the kitchen enjoying an ice cream all to herself. Finally, the scene where Suleiman pole vaults the wall that separates the Palestinians from the Israelis. The irony and humor within these scenes and throughout the film is breathtaking and left me stunned. The film has the biting political irony of a Luis Buñuel film, the quiet absurd humor of a Jacques Tati film and the fantasy of a Federico Fellini film. The film is gorgeously shot with an equally beautiful mix of Arab and Israelis music.

In the scene below I love the way Suleiman observes a tank as its cannon muzzle follows a young Arab as he goes across the street to deposit his trash in a garbage can. The camera's perspective starts with Suleiman in the scene then the camera gives us his line of sight, so that we become observers in the scene like him. The young Arab is so accustomed to the insanity of a tank positioned in front of his home that he acts as if its a daily ritual that has been part of his life from the day he was born till the day he dies. There is so much irony within this simple scene that its priceless and shows a director who can make incredible social and political commentary within a scene with no dialogue.







Trivia - The film is based on Suleiman's father, Fuad's diaries, his mothers letter's to family members and his own memories as a child.











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Note - If you would like to view  فيلم الزمن الباقي كامل  - The Time That Remains to rent or buy please click on the link below the comments. It is sponsored by Google, so it is the safest and most secure way to get a copy for your film library.

Renaissance

"Without death, life is meaningless." Jonas Muller
"Without death, life is meaningless." Jonas Muller

Masterpiece

Renaissance (2006) is a visual masterpiece. 


Directed by Christian Volckman.

Starring Daniel Craig, Romola Garai, Catherine McCormack, Jonathan Pryce and Ian Holm among many others.

It's not often that a film is, so visually stunning you could care less about the story, the plot or the performances. Renaissance is one of those movies that from beginning to end you are left with awe at the creative geniuses that gave birth to it. Volckman used an advanced form of Max Fleischer's patented rotoscoping also called interpolated rotoscoping. Max created a series of rotoscope shorts called Out of the Inkwell of which I have posted below a clip of an early example.  Rotoscoping is a process that takes human actors and turns them into cartoon versions of themselves. By making everything black and white the film looks like a dream and the results are jarring to your brains ability to separate reality from illusion. At times I felt utterly lost in the surreal three-dimensional background visuals as though I were dreaming the film. Christians dreamlike visuals remind me of Luis Buñuel's blending of reality with illusion in Belle de Jour - Beauty of the Day (1967).

I saw the French language version without subtitles and I understood most of it. I then went back and added the English subtitles and the story, plot and narrative made more sense. Christian had a superb English speaking cast, but I doubt very much they could outdo the visuals. As an actor when your doing full animation or CGI rendering of your character your vocal range must be pitch perfect, so that the animated version of your character can come to life.

Volckman has come closest to capturing the look and feel of a graphic comic book on film. It would have been interesting to have added some color to one of the characters to separate them. I might play around with one scene and add some color to see what it does to the overall look and feel of this film. The film could use a bit of editing to tighten up the story. Still Christian and his technical team have created a visual masterpiece.

The scene below is one many that just completely left me speechless. Look at the different perspectives and camera angles used. If you turn off the sound you can follow the story quite easily in this scene.




Film Trivia - With a budget of $15 million dollars it took six years to complete Renaissance.


Max Fleischer's Out of the Inkwell - Ko Ko The Clown Rotoscope Clip


Max was an early pioneer of film making and is created with many technical film innovations. Fleischer also created the follow the bouncing ball used when singing along to music on screen. Fleischer also featured black Jazz performers like Louis Armstrong to rotoscope and star in his shorts at a time when blacks were relegated to stereotype background characters.



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Note - If you would like to view Renaissance to rent or buy please click on the link below the comments. It is sponsored by Google, so it is the safest and most secure way to get a copy for your film library.